All the world's a stage, and all the men and women merely players...
LEARN MOREWe represent diverse people from all over the world. No matter where you are located, we have actors you can cast in your productions.
Talent Agent Jonathan R, Holeton has been a professional Actor since 1994. He knows what it's like for Actors.
Jonathan is passionate about the Film & TV industry and representing the underrepresented. He's an Artist & Entrepreneur with a disability such as mental illness & congruent disorder. He wants to inspire others like him to not give up and go for their dreams.
Our goal is to grow our network of friends. As the song goes, when your friends are my friends and my friends are your friends... the more we get together, the happier we'll be.
We are Alberta, Canada based but willing to represent actors from any country.
Jonathan & Arla Holeton are Artists who want to collaborate with great Artists like you!
Jonathan has been a professional actor since 1994, almost 30 years. He knows how stressful it can be for actors but also how rewarding it can be getting an audition and even more amazing to get a call back and booking a role. If the producers, director and Casting Director all love the actor's audition, it feels like winning the lottery. It's almost like winning the lottery because out of so many auditions, an actor will only get the gig a small percentage of the time. We as actors have to accept that and roll with the punches, grow thick skin and not get upset over not getting the acting gig. Everything will be ok and there will always be a next time. And maybe that Next time will be your BIG BREAK! ;)
We accept people with no acting experience but you MUST take any acting classes and workshops as soon as possible as well as the online Set Etiquette workshop. We will not submit you to productions until you do.
Thank you for your interest in THE ACTOR SPACE Talent Agency.
For all film, television, commercial, and voice over submissions, please include your professional headshot, a resume outlining any training, acting credits and special skills, a demo reel (if any), and a brief note introducing yourself. If you do not have a professional demo reel, we recommend including scene work from class.
Your submission will be reviewed by talent agent Jonathan R. Holeton, if he takes an interest in meeting with you, he will reach out directly.
The Actor Space has features that other Agencies don't have that you will find very helpful as an Actor, such as the following:
On overnight shoots, actors receive $60 per diem. That money should cover any expenses you might incur while you’re on location, especially on the days when you’re not working.
When you’re on set, the producers have to feed you every six hours. If they’re late, they have to pay you $25 for the first half-hour and $35 for the second, and it keeps going up from there.
If you supply your own clothes or props, the production has to pay you for the right to use that stuff. The amount depends on how much material you’ve provided and how long they need to use it.
If you live in Los Angeles and you book a series regular role on a show that shoots in another city, you’ll have to relocate for the duration of the shoot. The amount is negotiable, but you’ll probably receive between $5,000 and $10,000 to cover your expenses.
When you’re working consecutive days, you must be allowed 12 hours of rest between the time you wrap and the time you’re called back. If the producers violate this break period, they have to give you an additional day’s pay. (This one can put a lot of money in your pocket if you’re on an extended shoot.)
There’s no limit here. If you receive some, we take some.
There’s a good chance you’ll have to go in a few days early so they can fit you for your wardrobe. The rates vary by contract, but they’re based on the amount of time you’re there.
You’re going to make a lot of extra cash if you book a role that requires prosthetics. For example, let’s say you’ve been cast as a monster in a horror movie. That’s great, because they’ll probably need to create plaster molds of your body and special contacts for your eyes. That takes time, and you’ll have to go in for multiple sessions.
This is rare, but commissionable.
After you wrap, you’ll usually have to go back at some point so you can re-record some of your lines.